The Depths (1963)
aka Les Abysses
Genre: Crime | Drama | Mystery | Thriller
Country: France | Director: Nikos Papatakis
Language: French | Subtitles: English (Optional, embedded in Mkv file)
Aspect Ratio: Widescreen 1.66:1 | Length: 92mn
Bdrip H264 Mkv – 1200×720 – 24fps – 3.43gb
Two orphaned sisters, Michele and Marie have been working as servants in a family for some time now. As the drama begins, they are tearing apart the house in the absence of the family. They rant and rave or just talk, slowly revealing that they have not been paid in a long time, and they are alternately either afraid or wildly elated. Then the family comes home — and arguments take over with the sisters either fawning over the family, or antagonistic to them. The insane situation eventually reaches a crescendo when the two servants learn that the family plans on selling the house and perhaps leaving them in the lurch.
Les Abysses is a 1963 French film directed by Nikos Papatakis. It was entered into the 1963 Cannes Film Festival. A violent and surrealistic mixture of farce and social commentary, its story was inspired by the real-life case of the Papin sisters.
André Malraux imposed the showing of this film at the Cannes Film Festival 1963, after a public declaration of support from a large number of French intellectuals and artists, amidst a major uproar and social criticism. The followers of the Surrealism movement took the Papin sisters case as paradigm of class revolt, and a signal that a social revolution was already taking place. Romantics saw in these grisly murders the emergence of absolute Evil, like Lautréamont in `Les Chants de Maldoror’. Philosophers engaged in the socialist movement wrote passionate texts in defence of those maids, like Jean-Paul Sartre in `Le Mur’, and Simone de Beauvoir in `La Force de l’âge’. Jacques Lacan, in `Écrits’, will develop his first scientific essay on psicoanalysis, following the Papin criminal case. Jean Genet wrote `Les Bonnes’ (English translation, `The Maids’) pages that are still considered a must on the sombre aspects of humanity, and creating a sacrificial arena where death is preceded by its simulation – something that movie director elevated to the title of his film, `La Cérémonie’.